![]() ![]() ![]() Just a few moments prior, the recitative and aria that comes before the Golgotha Ach, Golgatha… Sehet, Jesus hat die Hand (No. The latter offers a sublime moment in which we viscerally feel Christianity’s deep distress we hear it sob and weep before it finds relief in Wahrlich, dieser ist Gottes Sohn gewesen (No. 54) and Wenn ich einmal soll scheiden (No. The pre-drama and post-drama are home to the most intense moments of Raphaël Pichon’s proposal, which culminates in chorales such as O Haupt voll Blut und Wunden (No. There are some staggering moments coupled with a kind of unknown and unexpected poetry. It’s also in keeping with the tormented outlook of Membra Jesu nostri by Dietrich Buxtehude. Bach’s work here is somewhat similar to the Passions, composed by Georg Philipp Telemann, though these are smaller in number and are sometimes more varied in terms of instruments. In retrospect, this composition has become the epitome of 18th century religious dramatic expression. The soft inflections, the sudden brightening of textures and the chamber choir sound gives this version of Passion something unique. They present a work filled with details and colours that would be seen as unusual in the contemporary era, which tends to be characterised by musical breadth and density of sound. Buy the album Starting at £17.99įrom the opening chorus, it’s clear that Raphaël Pichon and his Pygmalion ensemble are sensitive to nuance. Purchase and download this album in a wide variety of formats depending on your needs.
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